Get all 5 Stephen Mead releases available on Bandcamp and save 35%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Choral Soliloquies (II), Choral Soliloquies (I), Threnody for a Forgotten Plague, Whispers of Arias (I), and Whispers of Arias (II).
1. |
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I Sent a Letter to My Love
(Thanks to Bernice Rubens)
A drop in the bucket it was, water, water
Welling. I thought if perhaps we were
Suddenly stone-struck, then we'd have
Some sort of beauty, noble, immutable
To the descent of gray sheets. Marble slabs
Chiseled gothic, poignant under a curtain
Of trickles: what a presence, perfection,
Catharsis of a kind. The features would be
Set, no recesses revealed, no sadness, no longing,
Only a passion, roman cold, cauterized right into
Rock. I needed that,
Desired metamorphosis, at least some coral cove
For gulls flapping over, their tattered whiteness
A mirror-series of flags against the mad seas
Distraction, its lament, intractable:
The moon rise, the tidal pull-----
Stone is never so desperate, & to fathom
My real hunger would be to acknowledge
Just what you have been. Instead I embrace
The statue of my carving, & enter it, fitted
To form. In that stasis there is a storm
To weather the shelter of, evading
Evading the secret each wave delivers
As it eats my basalt. Breath after breath,
The solitude spreads shadows on far shores,
A whole continent of lighthouses, & my
Engraved craving falls, littered letters in surf.
Drifting, now eyes watch how gulls come,
Picking
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2. |
Joan Floating
03:51
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Joan Floating
Burners turned herky-jerky,
the berserk motion of drunks----
From what basin do these waves accelerate?
My arms, sails, winding around masts,
take flames leeward
then shelter the hush, astonished
by what oranges, topaz, bejeweled gusts
bleed up blue.
How anguish is just relative,
indigenous to such dancing that eats,
chafes, dazzles sweat’s fever.
To where is it blazing?
Not liquid bronze, this garment of flesh,
a collection of swathes
presently darkened in succession
‘til only bones would resemble gold
if their char’s ever washed away.
So, billowing, I smoke, float,
a swooshing of voices now crackling
their wireless to root reception in place:
There, cloud gauze, adrift, betrothing
Juno to her essence: a sea gull’s cry
wheeling circles somewhere painless
and above
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3. |
Home Movie
02:29
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Home Movie
“It’s still raining.” Mom said
to the reporter when he asked
how it felt to see Dad swept
away by the flood of
this disaster we’re living
making world news, & us caught
by the camera our neighbor Billy
somehow fetched from the waves
to film copters swooping down,
the rescue guys on their ropes
shouting & snatching at
hands
while houses collapse & plastic
cat dishes sail past as if
the very flash of these instants
held the windblown motion of
rag mags & you hardly had time
to get a real close look
at the command performance
we’re givin’ before
our screams bleed into silence,
before our tears are your eyes.
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4. |
Christ, George
04:32
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Christ, George
Here we are, how many feet up, the right engine
Givin’ out & some holy roller in the back
Suggesting we sing hymns. Amazing Grace.
Nearer My God to Thee. Well, I guess you
Can’t blame her. I, myself, would rather belt Bessie
Smith or just stick with these Pisco Sours
While drawing pictures in the clouds.
That might at least prove a distraction.
Now come on George, don’t look so scared.
Count your blessings. Ha Ha. Know what I mean?
I mean, afterall, we are together & were finally
Able to see Rome, Picadilly, Brussels.
Thank god for your retirement. Thank Allah for scotch.
At this point I’d be willing to thank anyone, shave
My head, sell flowers, convert to Hari Krishna.
Wait a minute. What’s that stewardess say?
Bockle. Bockle. That PA needs a new battery.
Oh, so this is how the oxygen mask works. Just
Press a pillow here between the knees & the chest.
Breathe easy. Who’s she kidding? No George,
You’re not turnin’ too blue. Sure they should have
Parachutes, an ejector button or, beneath seats, maybe
Some special flap that could open right up. We’d
Float down like insects, taking in the scenes.
Perhaps buildings with windows large enough
To see lights, faces, every individual expressive
As plants. Yes, try that idea, landing on an island,
A kind of tropical symphony enveloping us both
Like the time we sat in that restaurant, some waiter
Playing the violin. My head, heart, is on his bow
Now. Funny, a nice switch, not to feel abandoned
Or bitter. Certainly the sky has large hands, & so
Does the earth, for when it happens. George, until then,
Just sit tight. I won’t let go of yours’ either. Promise.
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5. |
Marilyn's Good Day
03:05
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Marilyn’s Good Day
It was raining & I forgot
Sun glasses, forgot the accessible
Face, the detectable susceptibility.
It was raining & I let it fall, got lost
In the drizzle, for once was not
Just something more to eat.
Who was that in that window
I walked by?
I did not stop, didn’t look, never
Thought to, all of the usual terrifying
Life gone flying to these drops, these
Buds-----
Sudden magnolias, sleepy, waxen,
White furl, scent splash, birch of
Small spots, the young, the sleek
Tongues dousing down soft,
Rising up dark-----
The whole night mouth wide &
Glistening, night of hosannas or
S.O.S, but
Quiet light reaching some 24 hr.
Dawn, some round the clock calm.
It tasted like milk, skimmed down,
Nude, the coast of Hollywood, blue-ing.
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6. |
Salome, Salome
04:15
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Salome, Salome
Veils, the silky, the arduous
Ardor of these scents, such scarves
Of perfume, my legs being pistils,
& from within, about, comes
This blossoming moon flower.
It has taken me years, memory
Being curtains, the windows I waited in,
Nylon shifts sweeping ‘round, a slow
Waltz with the motes & I
Sheeted, a cocoon to myself, in transparent
Husks, as ghost, as statue, wanting all recall
Of who sculpted…
Innocence was imprisoning business
But I learned with my fingers, fingers, the touch
Listening, braille as Geiger counter shaping words
Of worlds for the unspooling, the rewinding & I,
Ariadne, keeping a single thread for each vision
To lead me further, lower, deeper, high…
Whispers, omniscience, finally the heard &
The watched became clear abundance,
With my power, sensitivity, a mask
Dance-shed sensuous & passion a psychic
Who knew what you were…
Vigil struck so quickly, John, & hunger,
An owl’s talons. My eyes were the breadth
Of their feathers shadows turning radiance
Into angels x rays-----
Bring that head closer, your halo like a platter
& a cross with four points, your face, your gaze,
The ears, the chin…..
Tenderness has ended in no vengeance, my skin
Itself, the absolute shroud cradling you dear.
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7. |
Getting Away
03:45
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Getting Away
Counting the houses, the lights, the windows...
It’s good to keep track, this path demanding
focus or, no, I demand that, make my movement
the most immediate goal.
All else has been left:
attachments, possessions,
the claustrophobia of a trailer cell
hoarding knick knacks of deceit.
Perhaps I dramatize. Some days were perfection:
the gift of sun on scrubbed floors, coffee before
the mail and starting on jobs...
Why belittle what my husband began tearing at?
Those flaws found were delusional or minor cracks
still glued whole, of essence, like veins
of glaze in a fine antique bowl.
So our skins were bound, something to be held,
touched, looked upon with care
‘til the smashing flew its furies in:
daily unreasonable bouts of knuckles, stares, words.
“We can get help... We should...”
Stone would want to listen more, stone, a harbor,
willing, yielding, these boulders I could shoulder in
for the night in this park
.
Here are my hands. Here is my scarf, my shawl.
I will tie and pull them round.
I will get through this night
& away from counting houses, counting
lights, the face of some god, my
husband, in all these closed doors.
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8. |
Full Bodied
03:46
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Full Bodied
Come. Consider this flesh:
the stretches of birth, its
wears of freckles, its
firm marks.
How grand. How decadent.
How I could be large enough
for a deity: the breasts of
Buddha, and belly of the
Villendorf Venus.
Call me Circe of the crossroads
with a whole West Side Story
dipping across the shadows of this,
my turf—
docks, dance halls & warehouses,
the angelic street toughs, the scurrying
from swallows, those cops, with a taste
of wine & cigs still thick in my mouth.
I open it, an accordion. What tunes,
what tales swoop through there
where such brawls took place & they
had to nail the tables down?
Now I’m a pantheress, now a true stud,
equestrian with Latrec’s Paris, Chagall’s
lovers entwined about my baubles, the many
rings of my fingers, pearls about the neck.
They are gleaming fresh again from the ancient
pursuit——
fascination in a gasp, a look, this intimate refuge
from the boulevard’s tango, its harbor of
uncloaked silks, tossed away caps, unbuttoned
zoot suits.
What’s in the background? Mirrors, Notre Dame,
the hiss of cesspools being washed.
I recall only sighs, the passage of francs, being
“fallen” but thinking, “Well, it’s a life”, while
dreaming I was beyond the songs of Edith Piaf,
more of a Mahalia Jackson really, with a voice
huge as Africa, and spiritual, spiritual.
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9. |
Normal Moments
03:12
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Normal Moments
Pools of quiet, caught up in a stitch
of knitting, the pattern of a friend’s face,
how the cat loves her belly rubbed, jumps
into the funnies before I reach the last strip...
My son, as you must know our lives have become comics
turned inside out. Not a thing is quite right.
There’s hardly a minute which doesn’t remind us
of something concerning you:
hated broccoli, sock found behind the couch.
Perhaps you’ll return to us this way,
simply an appearance which changes the cosmos,
their topsy turvy scheme, because it’s so
remarkably normal.
I say this fully aware not much is normal,
close to being Blondie & Dagwood, Hi & Lois.
We’ve had to involve police, enlist the media,
turn to strangers, blow up your school portrait
for bread bags, for milk cartons.
There’s been no other way, not even the heart’s
telepathy pinpointing you in the universe,
though it goes on trying.
“We have hope,” the posters say
& sometimes I fear——
fixing dinner, tying your brother’s shoe,
I fear the hope more than the not knowing,
wondering which, if either, will be the thing
to undo these moments
& cut us for all time
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10. |
Persephone Poisoned
03:00
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Persephone Poisoned
Cold wind blows from my gaze,
My grin a coffin, the hibernate freeze
For years of six months apiece
Spent in some hell.
Sullen, implosive, do you think
I don’t know coals upon TNT
Stacked beneath this vast chilly stance?
Believe me, how I feel just what you
Can barely sense about what keeps me remote:
You calling me beautiful, you stroking
For a hand, marionette-made,
To hold, to have…
Let go. I’m a long way off from you,
You, fuming a possessive plume of pouting
Smoke
I taste the spring & am going
To warm my bones there, going to seed
Whole worlds farther off from the venom
You bit me with.
Child-snake, your fangs are only a teething
I coast from, a monarch sprung from
My tourniquet womb.
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11. |
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Many a Sorrowing Bee Keeper
“Please to see the queen,”
she might have sung to these workers
in a different time, but now, smoking this hive,
see how even the drones have changed.
That one still brings the buzz of another,
but overall they are less trusting
with their numbers becoming scarce.
Yellow & black, some beleaguered plight
has come to their fuzz, their clear gold dust wings
landing to striate the Keeper
who’s become precarious too.
“What balance is out of hand?”
she asks in a whisper as if down on one knee.
Is her covering veil that of mourning,
a netted babushka & the same fabric on her fingers
still deft but forlorn?
“Aren’t you messengers for the dead?”
God, goddess, look how she questions,
puzzled plaintive in plain sight,
knowing despair is a hungering
& what of the honey?
It is rue to each poultice for all wounds never mentioned
but apparent to these beings her gestures reflect.
How their little legs give, stitching without sting,
& she remains seamstress,
pouring webbed nectar to every sore.
Under indifferent Nature’s heat, she senses many others
bursting as blossoms on her kind,
the sun not granting pardon for what has been done
to all creatures living.
Still, forgive me she sings,
profusely apologizing like a nurse to the hurt
as she goes on smoking this hive,
a stalk of many mouths, her palms
the Futures’ mandibles now,
taking, taking more.
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12. |
When Did It Start?
02:17
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When Did It Start?
Later
I was seven I think
taking a pill
or eight. I don't
or drink
remember except
trying not
Dad it was
to flashback
scary, your
for the bombardment
voice, touch
an illiterate's shame
it, that's
victim's wrath
nice lamb chop you
would question my
deserve this
innocence & there
the rope then & I
would always be
pretended my body
an interrogation
was another kid's
as if it
while trying
was Salem
like my Aunt said
and I was
not to dwell on
a witch
the word elephant
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13. |
The Cats of Claudel
03:19
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The Cats of Claudel
Should I not have cried about the flood?
The mud sluiced back the statuettes
That I made, one shelf, two...
The others were not catastrophic,
And among the figures, the faces,
Balanced my cats, their whiskers,
Silver water, their meows, my pulse...
Where are they now, now after
The plaster’s been salvaged,
And the kiln-set clay, and the marble,
Not mammoth, but long as my vision
Which once sought such light—
Sculpting from that
Was a whirling dervish in wreckage,
And I should have laughed
About the backed up Seine, should
Have done as my cats did:
Found a spot, curled for sun,
The milk of it, the ivory...
Still, of all that, I made a show,
My triumph, the salon,
Though nobody believed,
Nobody paid, except strays
With a fondness for felines,
Their genius of just being—
The Seine might take care of this too,
And these... the depths... a whoosh...
And then crash...white chunks entering
Indigo...
To de-sculpt is a pick ax at my blood,
Not liquid silk, not satiation, but
Breaking and dust—
I suppose that’s when the cats left,
Yet here, in these prisons, a roving
Eye, a scraggily head reminds me
Of their company, and the silence,
The music, in stone
I created
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14. |
Stolen Hearts
06:11
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Stolen Hearts
Helping you escape was my penance for God’s lie.
No, not God’s, but humanity’s:
Improper, contemptuous, their guilty scapegoating needs…
Why did I believe you that day, reading my bible
To you through the bars? Oh, people will say
It was loneliness, say I hated my warden husband & fell
Sway to your eyes. Not exactly. That’s too pat.
What you wanted was one person to see
You could kill no one
& then there was me.
I didn’t understand at first, neither of us did,
How a person’s faith may exchange places with another’s
Until both are transfigured by the single combined light.
No, I did not hate my husband &, if lonely, only
In the way many people are: through the silences
Of marriage, through the lives lived as expected & not
Comprehended until perimeters are fixed
& patrolled, patrolled…
How I breathed by such a pace, using Christian belief
For endurance, & how you told me your lack of it
After being dealt another cage.
Weeks went by & so what if I was being used?
Condemned to desperation, how else can trust be thrust
Forth but by measures of equal risk-----
A saw, a file…
It was I who stole your heart or why else
Would you come fetch me? Excess baggage, faith
Rearranged & on the run through nights of snow,
Trains, an abandoned mule wagon…
Oh Canada! Freedom! Tasting flight, open
Air & some farms’ chainless dream:
We would start over, our arms, pillows, our
Arms, kept promises-----
Except:
How chance betrays hope in the way posses hunt.
It didn’t take long…
Hooves, bullets, shouts…
I whispered in the thick,
“Quick shoot me here.”
How funny, your lousy mark, I lived
While you, to them, were suddenly beef,
Riddled on all fours.
Goodbye my warden husband.
What I’ve exchanged is the faith
Of your bars for these strange, these somehow
Innocent ones my lover never
Belonged to
Though once
I read him my bible
& found then, as I find now
another home here
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15. |
Ninety
07:34
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Ninety
It’s rather a shocker, to nature & even myself
the fact that I’ve survived.
Most figured, & I don’t mind saying it,
that I’d die young,
one of those frail neurotic types for whom,
to be borne, the world is too much.
The thought could make one nauseous,
but all I can do now is laugh & laugh,
wondering just who in hell is left
for me to celebrate this with.
The cats, I suppose,
Duchess, Periwinkle, & old slant-eyed Redcoat
with his left ear half missing.
I’ve nineteen altogether,
their life spans a collective karma
for the incarnations I’ve gone through,
who I was during this decade, that,
each, more or less,
a bit of a scrap pile...
Fingering the tatters, everything floods back,
the chain smoked years waking up
to stumble over bottles
or into arms——
Ricardo’s, Jack’s, those throwing down lifelines while, in actuality,
searching for their own,
the mattress going, “Dao! Dao!”,
‘til I decided friendships were best.
Then, as you know,
I fell into leaf-letting, demonstrations, & the lot,
even 24 hours in some cold piss-stenched jail.
In between there were letters, books, the cinema,
wash days, picnics, & every odd job imaginable.
I remember feeding Suicide Bernie
coffee one long night for hours.
I remember C.C’s cancer
ravishing flesh the way famine does.
“Oh good.” I think Izzy said
on the death of McCarthy.
“Where’s the mercy?, asked Shirl
on whatever occasion, the 3rd world, our own street,
she came up against the cruel.
But, as I’ve alluded, they’re gone,
gone except to me, cradling,
crinkling, smoothing such lace
mentioned now ‘n then to the curious
visitors who trickle in.
“What was it like?” or “What should I do?”
Questions like that.
Once in awhile, as if at a river,
I see a bright thread, a flash of this
unattainable masterpiece where their reflection
is mine, rippling superimposed, first puzzled,
then, placid, but,
come on, at ninety,
once in awhile is still pretty fair odds.
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16. |
Testaments
04:25
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Beyond misery and madness, beyond
blitzes, tartars & prayers
for death, my life
dissolving autobiography
infinitely interchangeable
along time's constant zeitgeist, the radium
of amnesia killing memory until, by surprise,
posthumous breaths again stoke the vision,
refute evidence of destruction:
TB, blacklisting, the beloveds taken away...
What is this, this something
which twitches like a cat
or snow slowly fanning to reveal,
in clear moments, Leningrad rooftops?
Hands, gazes, embrace chocolate earth,
the rich silt massaged and tossed forth
toward a sky bursting titanium.
Dark flakes hit the whiter,
a mixed squall against blue——
Knowledge, experience outlasting all which sought
to drive spirits down,
& succeeding in part
with the encampment of skin...
Here survival is not virtuous, but a fact
which nearly refrains from rejoicing
yet does not does not
for the soul is an oath swearing to witness
(water)
the sting of strife
(in the lungs)
and still
(with whatever voice is left)
sing
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Stephen Mead Albany, New York
A resident of NY, Stephen Mead is a published outsider artist, writer, maker of short-collage films and sound-collage downloads. If you are at all interested please place his name in any search engine in conjunction with any of the above-mentioned genres for links to his multimedia work and merchandise. To order CDs via VISA or PayPal please visit stephenmeadmusic.weebly.com ... more
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