Get all 5 Stephen Mead releases available on Bandcamp and save 35%.
Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Choral Soliloquies (II), Choral Soliloquies (I), Threnody for a Forgotten Plague, Whispers of Arias (I), and Whispers of Arias (II).
1. |
You're Asleep
03:37
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You're Asleep
I think
On automatic pilot In a commuter plane.
Flying at night is the most peaceful thing.
These lights are our own Tivoli,
A cathedral of sky.
Going so deep While floating as if through glass
As it forms, is to apprehend How significant smallness can be,
Meaning us in this vast cavern,
Meaning those spires, T
hose good window faces—Look—down there in the dark.
That dark is as good as chocolate & maybe we are almonds
For some god to swallow,
Unless perhaps it’s already happened & here we are in the thick
Of god’s roomy bowels.…
When I say God I mean you, so
Move over, you air-bound Dutchman,
Dozing at the controls, Your headphones on Wagner.
Someone’s paging us from his booth
On another jet I cannot see.
Listen, it must be long distance & I think you better wake up.
I think maybe we are like prayers
That voice now needs.
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2. |
Long Ago
02:12
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Cold hands
Warmed by another,
Always someone warmer
In that once going on...
Returning is a glass path
Across that bridge
With no thought of:
Make it different.
Not then anyway.
Not this time,
Its particular past lasting
Long as it takes to put
One finger against still lips.
Ssh.
But they do not tremble.
Ssh.
But they do not speak, & time
Curves over, holds the warm heart
Inexperienced but for fear &
Liking that slight touch
More than many things given,
More than the giving back by
Nature anyway-----
Being there, yes, just
All for the being
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3. |
Curfews
03:25
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Curfews
Fountain over granite, the engraved names ripple:
time, in their own time, and the time running past…
Black outs, the heavy drapes, edges pressed
smooth, almost rigid, so the light couldn't
couldn't——
What was that? Ssh. Ssh. Every rustle gives
off footsteps
voices
breaths
like a match and
there's a lot of branches,
vines to be caught in as if
by a search light in the middle
of the street
We met I
remember a parachute's descent, the
too vulnerable skin and thinking,
though scar soft, I'd cut
hair, wear
a uniform,
board the train, plane, tank or
go down in trenches
dreaming a campfire under
nights (curtains) so close (curtains) no
rocket (the names) could hope (names we)
to explode us (whispered)
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4. |
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What The Good Soldier Was Told Not To Recall
Down in the dirt, mud oozing, miles of inches, bodies,
khaki-coated but flesh, close, emitting steam, open wounds
Over which some surgeon warms hands…
Rains, bullets, hit swamp basin silt, limbs
Grapple., grope guns, spill pell mell…
Fingers ripple, black reflections, come across
Dog tag, wedding ring, thumb…
Above copters whoop-----
If photographed, stumbled upon, this would be a document
The saner world salvaged. But
People forget war means taking sustenance, leaving
It orphaned, shell shocked.
Witness it, buddy, give breath
Here in these trenches…
In a minute, leap, jolted
Frog trembling, falling, choking
Unconscious on alien American-stained land.
Afterwards, weeds flower, flourish, the voices
Of souls silenced in asylums homegrown
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5. |
Grand Adventure
04:36
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Grand Adventure
Which life is this?
Like stars, a little snow’s drifting by:
flakes, flakes.
From them I settle down,
now in a jungle, suddenly some
freedom fighter.
Pretty interesting liberation, for a woman.
For once I can do more than cook their gruel
or apply a soothing
compress when fevers proliferate.
Not that such things weren’t enough.
I’d be doing them still if all the men in my family
hadn’t been taken, and “for questioning”.
None came back.
So what is this cause,
just some delusion to which I may,
like a voice, have some small part?
This gun feels like power.
The militia comes in. I make my target.
My, how death comes in, undistinguished,
too quick to be sharp.
Here is my next phase,
transported, a gypsy, to some gymnasium
ballroom, a dollar a dance. It’s not much,
but it pays,
pays for my kid’s lunches,
helps Mama fight the roaches
and the landlord, like these guys, my “clients”,
rather lost and a bit pesky.
It’s amazing though, how easy
I can make them smile.
Only twice has someone wanted more.
The first time I just let it happen.
After the second I developed instinct,
took a course and now know
how eyes can be gouged, throats broken,
noses bloodied.
Quite useful stuff I never hope to use.
Instead, I dream of leaving,
work at not being a victim while,
hovering above, some new incarnation waits.
Often I think it’ll be a comic fantasy.
I’ll become a crusader
wearing some big furry pink rabbit costume
hopping down upon armies or, more importantly,
their Presidents.
Mostly though, I plan on flying,
unbound, high and alone.
I’ll keep clear of civilization.
I’ll consort with the angels,
a celestial primitive
with very deep,
if weathered,
faith.
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6. |
Hard Sell
02:58
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Hard Sell
The big turn on. How much
you put out? Honey, open 24 hrs.,
a regular crackejack rbox. Cash up front.
Easy does it. Don’t want to forfeit
the prize now, do you? We’ll make it
smooth .. No. I ain’t fakin. I aim
to please. You wanna ½ shell, pom
poms, a nun’s habit? Pretend then.
Set down that belt. All right, but
it’ll cost extra. Stretch marks?
Yea. So what? Gotta kid too,
lives with my Mama. She keeps
his nose clean, sends me pictures.
Care to see? Didn’t think so. Nah.
Nothing personal. Of course this
is business. Used to it? Sure.
Hell, what else you expect me to
say?
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7. |
This is not a Mine
02:26
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This Is Not A Mine
Is it thunder, that rumble, or more heaving like before?
How many days it has been since the ceilings slid,
sealing this basement. We were fortunate in a way.
At least here there are tins, pickled preserves, & my smart
sister with her candles, with her jack knife, who knew...
When the tremors started she said it felt like a premonition
and hurried us, all of us, even the cat, scratching
while being pulled along. Later, we waited, in fact are still
waiting now, singing songs, telling stories to ward off
the silences, those claustrophobic coats. How much air,
time is left? Did our parents survive? What’s it like
up above? Listen. Again there’s that shaking, dust
from the rafters, the baby crying and, “Move to the wall!”
My sister orders. “Or the archway. It’s strongest.”
How can she do it? My god, something’s clawing,
cracking in——
voices ,
a flashlight.
I thought I was too numb
even for these
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8. |
Assassinations
03:23
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Assassinations
I’m not totally unconscious.
I know that, & that
The something awful has happened,
The too-often inevitable, the one of
Love’s worst fears.
I’m not quite afraid though of course
The shock system has taken over,
The rush of dopamines, all that
Science stuff-----
& yet some senses are lingering
Certain neurons, the nerves
Tangential tips….
From this point I mostly hear, hear
The picture, winds of murmurs at first
A roar, a form of jostling
Becoming a car, a platform, stair-like,
Now a flat conveyer lowered
As I rise-----I am rising, aren’t I-----
But in the deep, mainly spirit, cradled
Supine, my head on some lap, the tender
Feathers of fingers sweeping (hold)
Beseeching (on) nearly or
Suggesting (ok) it’ll (let go)
Be all right…
I know that voice, now mainly a
Whisper, nearest dear
There’s such a flood I’m above
Tunneling like waves stars over
How dark the boat’s glass hull
Remembering entirely finding
Almost there (light) every
Summer on the river (light) now
(light) I am embarked
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9. |
Victim #29
04:19
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Victim #29
They brought his body on a forklift
Because there were so many crates,
So many names to keep track of
As if this was a factory which,
I see now, maybe it is.
Last night I had that dream again:
A silver bird in the night sky, serene
Over the Atlantic. Strange, trying to
Wake, but I knew what was coming,
How the immense belly, in close up,
Would open & then, as though filmed
From a distance, seem so small,
Almost a dot though
Something else happened: a suspended
Spider, say, laying eggs
Except this was a plane & the confetti
Dropped
Were lives before the explosion which,
Last Christmas, was the only actual thing.
It still is, this year too, though I try
To make an effort every day, those blessed
Moments I’m not pissed at the government,
The air lines, who were warned, who should
Have looked, knowing the make, a SONY
Radio which encased the bomb…
No use blaming just the terrorists, who believe
They are at war, really feel it as so, with the innocents
They take simply soldiers unassigned yet
Dying because war is about loss.
Yours has been the hardest, yours &
The others I think of these nights, breathing the fire,
The stars, cold flares I must see with your eyes,
Must see & keep with me so as to hold all you loved
& you did love life
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10. |
Deserter
02:31
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Deserter
Prove me wrong——
the charges, the light brigades
too quickly dimmed:
on either side, advancing
uniforms, picked
picked off——
Numbers ticking
on a work camp list,
names misplaced & then
the pages——
Letters, novels, biographies,
who will write history?
Snow songs, sand songs, tropics
of green, of mud, an ocean,
these landscapes, waves
singing lives.
Shelter, food, loved ones smuggled,
deported, sold——
People will do anything, anything,
& I have no more taste
for war, Mother Courage.
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11. |
Heading Home
02:52
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Heading Home
Lying in the back seat, my parents,
up front, murmur now and then. Mom
criticizes Dad's driving. Dad
speeds up just to egg her on or,
perhaps, appeases——
"Yes dear, yes." Turns on
Easy Listening. Their voices
go lower. The rear window rises,
gains prominence, darkens for stars,
for blinking jet lights.
Different trees wave, encircle
this portal, a still clear screen
amid motion. It rocks, rocks
imperceptibly as I watch
shadows rippling over.
Later, older, alone with each other,
we inherit these expected
front seat positions. It's a
graduation of sorts, this cruising
over blue moonlit highways, a rite
of passage detailed by Frankie
crooning, a small second hand companion
to keep us from falling
asleep at the wheel.
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12. |
721486!
03:59
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721486!
Clock on. You’re being paged,
A year, a movie reel. Tin sealed
It in, a nice cool quiet slumber.
That was the life!
We were “The Misfits”. Montgomery
Clift. Marilyn, at their good ripened
Cheese stage, one the thin-skinned
Punch drunk poet, the other tender as ever.
Off the set, their personal worlds
Were crumbling, human, a surplus of
Dichotomy. Now,
On the wall, projected flat cut outs,
Two figures writhe: Clark Gable and his
Horse, a rope between tethering both.
To wrestle the majestic and have
The toughness be sensitive-----
To get dragged, dodge hooves, then
Bring down the stallion bucking, is
To know wildness has dignity:
Gable, bleeding, winded, honoring
Respect, cutting Pegasus loose. On
The road, driving back, Monty, in my mind’s
Eye, a stray to be held, Clark and Marilyn,
A pair dissimilar but oddly connected by some
Dog and three horses in front, the car, a
Seed pod, the wind, a runway, home-delivered
By the largest star in all of that black, and us,
Just a couple of screen hounds equally searching
For meaning amid a sticky floor and creaking
Velvet seats…
Oh movie buff, matinee chum, can you dare
Envision, remember?
I can and speak of it.
Instead of a number,
We each had a name
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13. |
Ringings
02:59
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Ringings
These are bells.
These are candles, & hands
Play their part, hands from the library,
Hands from the garden.
They have much work, much work:
A laying on.
Something’s to be rung, lit.
Something’s to be kneaded, consoled:
A flesh summons.
What is it they want?
For nothing have they come?
I have seen them in brass, in ivory slopes.
I have seen them painted & in close up, unnamed.
Saints have so many transformations
From which light emanates, ready to show
A white potato to someone who’s been flogged.
Out of darkness, roots, the febrile streams.
They dig ditches, brew tea, make beds.
They are dignified as wood.
What circle are they joining?
What songfest on the lawn?
Are they tending to a ritual, cutting swathes,
Winding sheets?
There’s a sort of bird catching up to them,
A sort of dragon wheeling over, baring sound,
Winds of wings ‘til the pitch is overwhelming
& they reel in a fury of radiant slow motion.
Look up. Look up.
The terror of it, the glory.
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14. |
Stories
04:47
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Stories
“Smashing things, girls”,
and sometimes he meant it literally,
with roses and presents afterwards…
That was the man at the table next to us:
A rooftop restaurant, revolving big picture
Window views, the dark sparkling and slowly
Blotted by fog….
Horns, I imagined or playing rainy pans
Those cold watery days, with the mind still,
By voices, sandblasted-----
“Just let me see your face,” said the kid when,
“Don’t look at me,” the woman’s fire-escape shaded
head turned away…
“Couldn’t you just love me?’, asked the song,
some sincere background vocalist…
“I’m surprised to still be alive.”-----
Accidental involvement: martinis clinking,
the bands waltz plucking the blare of taxi cab
fanfare for the luck of lovers spilling out upon streets…
susceptible wintry skin above clothing
consumed enlightened or disfigured by thought…
“Stormy Weather”, again went the stereo, my happiest
Christmas so far, when you read me your poetry,
whereas now, with an almost stranger, driving back,
the wake behind…..
“Please, I must ask you, would you like, if only
you wouldn’t mind, my
(your hands on the steering wheel)
head
(so firm and so steady)
to simply rest it
(the wipers and lights whooshing)
there there
(and shoulders)
friendly-like, you see
(such a good set)
no come on, no
(encyclopedic really)
power play
and thus he…
(smashing things…your face…)
I,
(just let me see…don’t look)
we all,
(couldn’t you just…I’m surprised…)
went
(Stormy Weather)
to sleep
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15. |
Lost
02:15
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Slow as congress, as war,
Though the inner pace careens,
A business, the same leftover
Business picking up as if
The start were different--
This is the rumor of change,
This, a fresh breath,
Blowing progress back
Backwards angel,
Progress, the storm,
& I saw a guy, sweet
Jesus, fallen
Streetblown
Onto a sewer before
Some bus
Picked him up then
Circled, circled
'round & 'round 'cause
it was lost
but he didn't know this
he was sleeping
sleeping easy, salvation
in the motion, dark
windows,
night city, lights
kind of like tears, star
spirals, star echoes, the speed
of sound, & I, a seat behind,
just as quiet,
listened & watched
for the way
an angel may wake,
come together
with this pattern
blowing blowing
over the sky oceans old
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16. |
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Yellow
Stephen Mead © 2005
A light to wake to,
The eyes not open yet
Though there is
That particular cove
Against the lids &
Maybe a voice, husky
Warm butterscotch
Which is the sun
Of whom, what
The day may love
Opus
Cello melting,
grey hazy purple
in veins of emerald
which drip & well
later lucent
on lips just left,
eyes fading softly
but for their glow
hovering resonant
towards some sun,
sun, love, beyond
reach
Susurration
The Bell of Mindfulness
is what Buddhism tells of
for us seeking peace
as a forehead hand.
Yours’ is laid blue
as a dove's shadow
and from it comes the quiet
where I can hear song
as prayers.
Then the visions come
true as stepping stones
just barely visible
under rapids.
This name, that
catches up to the faces
as breeze to leaves
in the reeds of these bones.
Blow on souls
so that my own
spirit's straw
turns to transparent pewter
and tongue in the mouth of god.
Stairs of Prayers
one
After another
Built up
As whisperings,
The susurrus
To God’s ear
Being birds
whales
waves
Of living in
The littlest cells
Busy with the work
Of universes
In ascension
descension
As we climb
Slide on each other’s
Faith of flesh
Hoping for the answer,
Love, that is already
Everywhere
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Stephen Mead Albany, New York
A resident of NY, Stephen Mead is a published outsider artist, writer, maker of short-collage films and sound-collage downloads. If you are at all interested please place his name in any search engine in conjunction with any of the above-mentioned genres for links to his multimedia work and merchandise. To order CDs via VISA or PayPal please visit stephenmeadmusic.weebly.com ... more
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