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Threnody for a Forgotten Plague

by Stephen Mead

/
1.
In My Heart I kneel down stripping masks to the paraffin thin forgiveness asking for itself through each face hated for its prejudice, its bullying, the Tyrannical sensitivity deems while magnifying the magnificent facets of derisive fangs & malicious eyes & scheming stomachs that digest these bones turning the other cheek
2.
Loverman 03:10
Lover Man Where Can Health Be Infectious Spread Catch Each Other Like Disease Here Let Me Help Mother Remember 4 A.M. Phone Dial Co. Tone Tubing Swallow The Rubber Tongue Water Pills Coming Calm Now Blank Fingers does blood (slumber) foretell wounds (store) friction his smirk shy face brave Oh God Please
3.
Researching Plague Glass (the slides) falling (the click) lives, each (to read) a lens (interpret) microscopic to (& plan) magnify (a strategy, a) ours (route) ours What is your standpoint? (Power) & yours? (is yet) & yours (power) "Well, quoting the experts..." (& that) "The statistics say..." (means) "All evidence, biblical, social (personalities) reference shows..." (slogans) BLAH BLAH BLAH BLAH Go into the meat (politics) emotion (writes lists) beyond bones & (agendas) this outbreak (mostly) spreading (to play) though localized (for time) in the crux of (& juggle) mitochondria (votes) living the way (while trying) we exist with (not to) it (step on) even while death (too many) boasts there's nothing (toes) else though (so research) I know (regulations) transmigrating (must) the soul is (a fine line) prescribed (of intense) to speaking (science) still with those (& hope) hands we must (monitored as) hold (footnotes)
4.
Dark Angel 03:23
Dark Angel The wings are night dipped So one can barely see them, only when Nearest, only when feeling how, Like nets of hair, they graze. From the silhouette of this window, its Cloud & yew shrouded constellation, there's Enough light to tell the sheer interwoven velvet Which conceives to me exactly what you are. Of course, at the, center, head to toe, There's something else: an onyx of heat, Basalt, ripple-veined, with iron flecks Turning neon green, plum red, muted gold, Pale silver blue. Such colors one would think Solid, like your trunk, arms, & legs, But, a single sweep down, pressing close, & all flows to liquid, the river heart Of some redwood. What tree breathes acquainted With such darkness but carrying air's bright Flight? Is this the voice of skin, a wilderness In the city, intimate to bridges, subways, The tunnels of hustle, streets of peace, Streets, streets of war? Being all things, I can't call you anything, Not mine or love, though when you slumber Like a log, the evanescence just hovering, I stroke your back, its stretches of nylon, & could almost covet those terms.
5.
Missing People Picture on the mantel, everyone apparently there in this posing nuclear unit, & its additions accepted: boyfriend, girl, the expected enlargements ex- cept , next to one son, the space is cropped in such a way another person fit, & there stands the invisible lover, the secret sharer, at home, uninvited because who else knows, would guess that the man is family, that the man has spent years looking in on, being private support. Here's a different un-photographed image: Son in the hospital cities away, delirious speech, the bed sheets, an imagined rack, control growing desperate— That guy is a doctor. I know by the coat, the stethoscope pocketed & they're shaking hands over me as if making a deal...my parents...as if ... where is...Look, I can write checks, sign my name &... time I've been biding, I will buy, bring back...Jim…help… Don't tell I said, wrong stupid, denying, hiding our life is out there in the distant open & yet ...the mantel picture, the family portrait...wrong wrong because ...no skeleton...no closet...you're the person I confess to them now as the door, their handshake, words agree to seal over, against: this Jim person, listen, don't you dare give admittance.
6.
He Fills the Window like a bath, reflections spreading, but still quite there. I like to know he can hold those contours even when just standing watering plants or looking out, not even touching what becomes a throne. I like to know there's this one slot in the universe for him especially, neither one of them owning the other but forming a relation spatial &, somehow, very close
7.
Industry 03:00
Industry Marathons between blocks (rain is falling, rain is) of business as usual (feet moving through) the talks that stall action (the blood pushing up-) during certain emergencies (hill in a river of) the debates debating (other limbs cast against) because it might be (the undertow, cast) considered controversy or (out as lines who've) because sides decide (writhen, been barbed) to disagree & take a (& sunk but never-) vote, another poll (theless rise taut) still deadlocked as (enough to aim, deep) snails who want to (gentle & strong in) be on top of their own (the flow which won't) missive missive (be killed) missile pile
8.
Cliff Is a Blue Angel With a Prussian blue crystal heart. It is clear as the kindness In my lover's seal gaze. Back streets, alleys, Roll from Cliff's robes: Time's winding sheet Unfurled 'til he's nude. Soldier, your bones of armor Are whitest radiance, the roman Shoulders shucking off duties, War's tours, a grief----- Now Cliff is so pure, The pool of each eye, A portal for an earth, For an ocean... Two tears, tattooed, Are high by his left cheek, The ear, gold-hooped... Cliff, is it Dover washing white Froth over indigo there where you are? Oh Holocaust Nosferatu, half gypsy James Dean, half shaved Genet, You are a saint out of prison now & what of our own tears? Mortal is flesh, as is sorrow Only a season... Cliff, wave back to us & spit your tobacco----- Blue birds sail forth with good news.
9.
DOLLARS 05:21
Dollars dropping BABY LIFT YOUR HEAD UP how to run to catch be HERE'S THE SPOON on top TRY JUST A LITTLE instead of THEN LATER WE'LL TAKE A WALK billed under piles pink OR I'LL READ FRANCOISE SAGAN slips paper PUT ON MICKEY MOUSE EARS paper for (sign CROAK PENTHOUSE SERENADE here) operations DO THE OLD TROMBONE SOLO tests meds net WITH MY HANDS gross THOSE SHADOW ANIMALS experiments to live YOU MAKE INTO LIGHT live with BECAUSE THAT'S HOW the cost of health WE'RE RICH
10.
Closure, Thomas Your one lid, which, at The end, to peep about, You had to lift With 2 fingers quite Like a magician As brown magic glittered In the roundness of your other Eye Refusing to lose focus When I called you “Love, friend dearest” Good lid. Pure eye. Let them each rest as if For my lips since Closure, Thom, might Be just like that kiss with My own hands in your hands, My own lids shut & no matter What distance stands between We will be closing in for a deeper Opening
11.
Buddy 04:49
Buddy I remember everything: The curve of your palms, the shoulders’ Expanse, the compass of my chin Tracing custom army soap scents Amid duffel bag wool… Lights on, a scuffle… I leapt, scared rabbit, white tail vanishing Through loose rain lit window… Nobody saw whom, not even the sergeant, Old metal head, a cinder block over… For this you got hard labor, 15 months, Shame to the family name, a dishonorable Smirch. They figured you’d name names, break Under pressure, your temperament, nervous, Not a soldier, but a queer… “Son, have a cigarette. Make it easy on yourself.” Easy. Son. Across the seas Nazis gassed jews & we Bombed Japs. From prison you wrote, said the fellas Were nice to you. I pictured knuckles, submission, Then gentleness covert. You were of use, a pro In the jungle of Good Behavior, its one rule unwritten… Today, on the radio, some Vet telling of his near-death Experience: shell fire, blacking out, his astral soul hovering… Next: flowers, a tunnel, & kind, intelligent light encompassing Pain at the end… Here, in the kitchen, Beethoven’s Last Symphony. Outside, a snake-stretching cat, humidity, a sponge On asphalt, blazing, our neighbor’s new sprinkler Watering their patch of green, its multi-spout streams Suggesting the shell Venus rode… I have your letters in a basket, private guilt, secret rage. Some disease the system gave you riddled all else. Buddy, is there really the light that veteran talked about?
12.
And Dream of Seas "I would rather drown, remembering——" H.D. If the food stayed down (& it did) If the hands found each other & not blindly or just through letters, that piercing paper touch (& they did) If we were soluble, the flesh transparent & could merge in a flow where nobody drowned or at least not alone (& we might have) If your voice, face was suddenly inside mine & sky-lit eyes looked out brighter, an ocean in the all over dark (& we almost) If I were not sad, could feel joy even in your leaving without angry idols, fearful obsession or the fact fact of your sickness (& I am) or death (am not) then the last vast wave would not want oblivion (& we cannot) only a sort of truth nearly clear (& we don't) in this surge, the real dream which does not stop
13.
Building Immunities Forgetting regret, in depths of slumber I dreamed, river-willed, stirring stillness: you again, you—— Caresses, pebble-tended, an imprint leftover is this consequential. Along the skin's corridors, soothing, lavished, haven't we been loving off the pain? What is such silk slipping, such ivory unveiled? A statue? Dusky tusks? Yes, mist, water-intimate, what a marble-shining shore appears star scattered! I am convinced we will reach there, traces of touch re-collected, immemorial, smoothing scars, lighting lamps. I believe it will be glorious, the resurgence of skin with the blood plush remerging recharged despite the carnage of life. Of course it is not sound, butI must trust in the triumph bringing your face back once more, back, for the fluids, the immunities love built pure as health.
14.
The Stones of Memory Sit in your hand, reflective, polished, well-travelled. How dead ends, promises have tended their destiny: the wind-river, mistral sea now condensed in the light of some beloved's breath. That was the buoy through long nights of sickness when you retched and retched until the water finally stayed down. That was your island when the spasm-gripped body cried for Mom and knew in the dark not death but life, life's agonizing fears. After that, cleansed pure, ceremonious as Christ, the simple pleasures became became: that basket of apples there, sun falling on red and ripened green, the particular brilliance of the rain, its resonance too, a sound near to sun the small stones behold while, as if to a shell, you quietly listen in.

about

Set against a healing backdrop of ocean waves, the shores of eternity, "Threnody for a Forgotten Plague" is an experimental work-in-progress dealing with the early days of the AIDS pandemic, specifically the fracturing of voices which literally and emotionally occurs during any such outbreak throughout time: the medical, political bureaucracy vs. the voices of humans fighting for their health and well being. Threnody originates from the Greek word threnoidia, from threnos "wailing" and oide "ode, and though Stephen Mead's lyrical soundscapes embody mourning, the endeavor of love is also a constant throughout these pieces.
Indeed, it is the galvanizing energy of such love which fought to make strides against callous indifference and ignorance in the beginning, and such love which must go on emblematic as an Olympic torch for as long as such diseases continue diminishing lives.

Google for video of the whole piece on YouTube under StephenMeadArt

credits

released December 24, 2014

In addition to instruments and sounds recorded around the house, and samples from MusicCreator5, the following sites also provided royalty free sounds and music:
SoundDogs.com, SoundBible.com, MP3Skull.com, InternetArchive.org (Various Unidentified Choral Chants before "tweaking"*), and FreeSound.org
*Ofert.Deprofundis, Sanctus Mass Viii, Kyrie-MassXviii

Particular FreeSound users (Cormi, Kerri, Setuniman, Suburban-Grilla, Pryght-One, ERH) provided:

2166__suburban-grilla__bowl-struck (Lover Man)
109801__cormi__angel2b and 183876__cormi__bells-b-090 (Missing People)
15778__kerri__flutedance and 27130__pryght-one__harp (He Fills the Window)
Sonar Ping: DigiFishMusic (Cliff is a Blue Angel)
106723__cormi__circumspection-01b (DOLLARS)
29933__erh__amen, 41618__jus__cellos-down-down, 29589__erh__angels and 29589__erh__angels (Closure, Thomas)
179933__setuniman__sad-viola-0y57 (Buddy)
169035__cormi__harp4-d (And Dream of Seas)
63839__erh__vox-string-eqxspdx-b1-11 (Building Immunities)

"DOLLARS" includes lyrics from "Penthouse Serenade", Will Jason/Val Burton, Famous Music Corporation (ASCAP) copyright1931
"Building Immunities" & "The Stones of Memory" includes "tweaked" samples of "From the Cathedral of Books", Jurgen Knieper, Side One Publishing: Milan America/Administered by Buttermilk Sky Associates, Inc., copyright1989

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Stephen Mead Albany, New York

A resident of NY, Stephen Mead is a published outsider artist, writer, maker of short-collage films and sound-collage downloads. If you are at all interested please place his name in any search engine in conjunction with any of the above-mentioned genres for links to his multimedia work and merchandise. To order CDs via VISA or PayPal please visit stephenmeadmusic.weebly.com ... more

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