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Whispers of Arias (I)

by Stephen Mead

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1.
Stay Awake 04:56
Stay Awake I keep thinking. It can’t be much longer. He turned on the gas exactly six minutes ago. I can see the clock. Must focus. He’s staring at me. I manage a smirk. It’s not that difficult, really, this waiting him out. After all, considering how he came in here, I’m amazed to be alive. I should have looked through the peephole, asked, “Who is it?”, all of those things. Oh well, when I saw his face, my intuition’s pretty keen. Automatically I knew “Look, you want some soda?” I asked. “The truth is I don’t have much cash.” Oh yea, cool as a cucumber. The first thing I noticed upon coming ‘round was the shade of his eyes, how they bore down upon me. Nice of him not to have blown my head off. I never asked why. He was desperate. Any fool could see. Loneliness and fear does that. I went and heated some broth. Later we listened to a few details about him streaming from the transistor. “They got it all wrong, man. I didn’t use gelignite.” I shrugged and switched the station. “You like Bach?” I thought he’d break my arm, but was just testing. “God,” he laughed. “What is it with you? You ain’t got no car. You ain’t got no computer. You hear I blew up Mr. Big Wig’s caddie, yet don’t even seem interested.” “I’m kind of a dunce.” I faltered, trying to remember if the newsman said whether anyone died. “See this.” He went on, flashing that gun again. “Wanna know if I used it?” I poured more soda and tried to keep my voice even. “Not particularly.” I held my breath, figuring violence would come then. Only, “You’re no dunce,” he whispered, and went to the stove. These last three hours he’s turned it on and shut it off twice. I’ve noticed this third time he’s leaving it be. I wish I were Scherezade and could entertain him with tales.
2.
Ariel’s Mission This tree giant knows me, and the grasses I pass upon looking to ignite brooks. Listen, I’m calling through the sudden undulation of leaves. Is it some sea sound or else—stranger--- soft whispers—candles in petals placed on a lake? How they float to anoint senses, a hushed traveling dreamtalk that falls with a clash—tempest—sudden tempest on the brightening horizon. Such a wind is astonishing! It is I, Ariel’s, the siren’s—Are you not awestruck? Once a pine kept me captive. I bet you can scarcely fathom, that for twelve years I lived done up, wrenched in by bark, the distorting, the twisted twigs. Then some great sorcerer got hold of me. I flew to his bidding, released by the energy that inhabits all oceans. Now, as an enchantress, there’s an even greater prophesy to fulfill, to ride—both one with the elements and that rest in a song’s shell—Otherworldly, loving, loving whatever planet, whatever dove wings, whatever bat radar—in day time, in night, the very air breathed is my dancing and it costs, believe me, believe
3.
Joan Again 05:40
Joan Again It wasn't a dark dream which crept over me, not like my mother warned, but a real war & what had to be done. No, how in the heavens could I possibly escape the prophesy which chose me, though, when it came, that's what I desired, to be useful, in love with the land, the people, swamped, not the bloodshed, not the blood. I saw no one as enemy really, in the beginning, before accusations. I saw only suffering & tried hard to listen for an angel's voice. Long through nights it wailed, whimpered of potential stakes, & yet even while paying heed to go on was my part, the part which meant lead. My god, but I hated the violence, the triumphant waste, as so many fell & fell thinking we are right, we are right, convinced of that on both sides. Were they then? Are they now? Lives lost in cannon's fire or hand to hand, face to face, the combat of swords, even the one which I carried, slaying no one, though arrow-pierced & advancing high as a rippling, a certainly torched & tattered flag. It can yet be found, that riddling belief, purely symbolic in the stones, the pellets flung through headlines. You know the names, the territories & how many are coming forth? How I would like to place my ear on each wrist to hear the priceless booming heart & have that humble echo amplified. Then I'd return to who I was before all the wars & the voices, I confess, the voices deaf deaf & blind to the outcome.
4.
Downtown 04:08
Downtown Trains & crickets, the space velvet enough for a guitar & Elvis singing soft & low... The night's going slow here, slow as a naked back moving gently to the touch. Reach up a little, feel & mess the hair, taste distance so smoke-close it's a face being named like streets as you near them, slipping into a dream of fading cinemas, of silver rain on the wind. Heading east, now west, this maze takes form, an envelope's navigation to where it belongs, or could, delivered by a kiss of so much sweet spit & sweat. Find, find the address, arm around arm, over neon fields & damp fragrance dense in the shadows. We are that package, its interlocked strings. We are those rooming house woods.
5.
Mother & Child Wheels & tracks, baby Don’t worry, I ain’t gonna Let you be taken. Hush-a-bye. Hush-a-bye. Sleep now, that’s right. I got a couple hundred dollars & in this knapsack you’re pretty Much hid just in case, you know, That welfare lady’s put out some Warrant. O.K. We’re hitching a ride & will hop The next train soon. 3 A.M. I think it’s early enough, The whole station still groggy. Thank god, it’s rainin’, good Warm muggy dust of diesel… Makes me wanna doze too. Come on, hon, don’t wake up. Here’s your old tick tock clock, Just like a heart, & I’m right With ya, rockin’ soft & close. La la la. You see, I have to Sing quiet, ‘cause they’re takin’ Our ticket & hey, lettin’ us board. Nobody suspects. Want your bottle? Look at those lights, the whole City a Christmas tree blinkin’ “so long” as we plunge, Express cargo, into the Clickety-clack clickety-clack Of this safe moving dark (Thanks to Rickie Lee)
6.
Candles from Mist Weigh spirit with a feather, fill, buoy up. Evanescent light thing, look, a final place: Find, rest. Love, since you parted, those likenesses Buried with you, image after image, reflect & dream. I have only kept one, I, Nefertiti, wed to worshippers, Gossip, now hiding Akhenaten, a pharaoh’s idol, Disfigured. How can I confess it? They’d talk, shy away. Yet, sphinx-like friend, I remember warmth, Our involvement, the west sun dying nightly Then miraculously east born... Doesn’t the beetle, that scarab, represent Metamorphosis, & you, you too, a common man, But symbolic, your head, a vision-house, large As can be. Does the skyful expand? Is monotheism real? Storms, blessings: religion is a concept. Far flung weather, the Afterworld----- Does the breadth spread? Is it luminous? Yes, we accomplished several daughters & built A life hand by hand, so, why---ignorant, petty--- “His ailment”, “a tragedy”---& civilization so strange... People point, visit, have a desire to rob tombs, Covet treasure, all Nile lost souls now curious, Thirsty for jaded scandal & souvenirs... Oh Akhenaten, I want none of such. Let them take all of it but this: a window, Lit alabaster, glowing like skin, from within: Some soft mist candle. I clutch it, a statue, Your profile carved there. Will you call, fly Refined? Pyramid strong: yesterday, tomorrow, all days Are ghosts, but their quests flood, preserved fertile From our divine all-seeing valley. Dust the crypt, kingdom, this gold inlaid sarcophagus I caress to put my missing Where it rightly belongs.
7.
Blood Stained Shirt I see no point in changing. I see no point. We were an Us, then there Was just me Hoping it could happen, a wrong Move, deliberately done, easy Target crossing the line. You never knew exactly when You went over, the why, the How, & I too was far from Fathoming the motives Of assassins, the signs, the Shift in temperature, in air, As if from a distant oil fire. I believe it ill fortune That the tank didn’t blow When bullets hit our car. I believed I was never more wild Than while screaming: Bastards, god damn you, & smashing the wind shield. I was wrong I’m wilder now, the stinking Sticky scarlet shroud, A tattoo of you losing What we held last & I can not rest, let go Of the moment when our blood Is not mixed here on this cloth. Where is an enemy to head toward, Even lie under, so I can be sure I am your ghost before morning, Before the knowledge I do not want, The point of you being Not being & that nothing too much
8.
Helen 05:04
Burnt (Helen Speaks) I have met you before. You were Somebody else. My gaze Says nothing, my fingers, My lips. I am still as the core of a January northeaster Waiting for the sky to grow Clear with its cold fire, The stars. My skin is singed with their Half-life, a wafer gone yellow, Harsh, crisp, brittle From one passing love, and then The next and the next----- Really, a whole legion... That is what I dream of And wake sensing no loss, Only a huge hushed din. It’s a riots’ aftermath. I’m here to tell you That’s why this won’t work. Once, like an epic Such a potential passion might Have risen to quell the burning. Then, from the ocean, we would Have flown, a couple of comets To the heavens. Presently I am wiser, Having no fantasy wooling my eyes. The most steadfast lover is sadness, Sometimes stern, but authentic. Earlier you called me angel. That’s when I fell. Lies, lies. Troy remembers
9.
Isis as Mortal Feline as the sphinx & more veiled With secrets, I’m re-rising From my last burial Yet keeping it all contained. This is a primitive thing: only eyes, Breath moving, the pulse probing beneath Dunes to unearth winds, the old crypts. They will search you out. Centuries I have, the will of stock Found in a Nile steep with blood & equally black. That darkness invites light & shelters it, Sun or moon, cast magnetic over poles So you, Osiris, shall surely be a drawn tide. Make no mistake. I do not stir at amulets Left, wince when inscriptions scratch Or some soul breaks off bits of my hide, A remembrance of solace, the most my quiet Profile has given, & gives… Will that always be enough? I can’t afford to question, have doubt, A conscience of luxury. I can’t afford knowing Distraction erodes or could give hope When I am so fixed by this position & never dream of you as lost. Lost! As if one could misplace a heart Ripe in the throat, in the gaze, as if One were not yet a temple fullest When empty of all but one thing. Osiris, my walls turn to veins & the veins Are highways. They travel long, go deep, Waiting not for caravans, the usual parties, But for the day, the night, where concrete Turns to sand & your waters come in… Still, I must admit, many of these wanderers Have such need & I see, feel them as lovable, Not made of stone after all, Osiris, nor even, Quite, nine hundred lives
10.
Patroclus 02:44
Patroclus Wound to my wound, my groom Your foot, a betrothal to pain… Should I let go of it there in the tub, The great ice vat where we’ve laid you? I think not, not yet, forged to your loins By faith. The curtain’s sweep is a roman toga, & your more pronounced nose, your rib’s Jutting hull, roman as well. Do not protest, I say to myself, a surveyor Of these signs: the untimely flesh, the plates Of bone, the cape of waves in the wake Of all that melting Thanks to lime rubbings with alcohol… Gladiator, savior, enemy, brother, lover of mine----- We don’t get off that easy since, even at the beginning There was an arena, Olympics, torches, our sky, A spearhead. I count the flames still & wash your spine down, your thin thighs leaning, Finding my own, & as for that one leg, Its amputated absence, I bless the warrior’s sacrifice There, name it brave, sacred even, to keep the blaze Of my own injury as tenderness raging
11.
Bagoas 06:36
Bagoas Won’t there be snow? Our mouths would be cups, our hands, helmets taken off for a dip. Homage is the greatest gift to the giver as well. Earnestness is the only quality this loyalty has left. Earnestness! Loyalty! More pure instinct, my lord, devotion, the whole soul, and longing deeper than thirst, the knot of it, love and fear dragging on past the grip. Here, not even cowardice can have any force. Cowardice—— the waterless days, the sands, the gourds withering... Cowardice—— the mica mist, the feet stirring grit, the thousands pushing forth through mirages, and through the dropping of horses, the haze, the haze, and with much farther to go... That’s why keening stays silent. That’s how whispers fill the gulf, and you, in fountain shimmers, the spectacle of good sun—— How shall I know you without your wounds, the heat of them, Sebastian’s? How shall I know you at all, gentle tyrant, without the blaze of your marks which my hands did fondle ‘til we were both cool? Here, waiting to cross another drying stream, a different fissure, visions appear: crags this side of Eden, and, Alexander, battles. Did exploration take conquering? Did freedom take funerals? Now we are dissolute. Now evaporative spirits rain upward, and how shall I find you? Look. Snow is falling, its wet feathers prayers of spring, and I was only sleeping, some seer in fever, but what do these words mean when your arms are so close, when this tent has their heat, and outside there’s just the heavens? Come, my lord, the men have struck water and I must say nothing of all that I dreamed.
12.
His Coat 02:11
His Coat Come. Bring me to it. We could pretend anything. Pretend I were Judith & that fabric Actually Holoferne’s head. Aren’t those buttons his eyes? Please do not pluck them Unless it is to lay their shine Upon mine. Yes, then fit The epaulets to either ear & Make a crown of the medals. Anything, I say again, anything As in even burn, bury my arms In those arms To once more have his warmth, He who was our enemy According to the flags that know Not our names. Yes, according to the flags that know Not our names, I am traitor, you, assassin, & he, This riddled cloth woven to hold flesh, Innocent of everything while mad With the design of love

about

Sound collages, songs as stories, songs as films…from the opening doorbell on the first track of Stephen Mead’s “Whispers of Arias” , Volume One, the listener is invited to enter no ordinary musical experience. Instead, drawing on classical, folk, and alternative traditions, these songs owe more to the works of John Adams, Phillip Glass, & their
librettists, for defying contemporary verse/chorus composition. Even the rhyme schemes are not typical moon/June/spoon, but more that of soliloquies set to music. Including voices from myths (Ariel, Isis), and voices
of history (Nefertiti, Helen), through characters set in 21st Century scenarios, (a welfare mother on-the run), the song cycle of this CD weaves a thematically comprehensive whole, while the musical backdrops provided by Kevin MacLeod makes each piece a journey unto itself. To be human is to know how valuable life is, these songs seem to say,
and will hopefully leave the listener emotionally transported by that message.

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released December 24, 2012

Musical backdrops provided by Kevin MacLeod make each piece a journey unto itself. To be human is to know how valuable life is, these songs seem to say, and will hopefully leave the listener emotionally transported by that message. In addition to instruments played around the house, Kevin MacLeod of Incompetech.com provided glorious royalty free music to sample/tweak/enjoy.

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Stephen Mead Albany, New York

A resident of NY, Stephen Mead is a published outsider artist, writer, maker of short-collage films and sound-collage downloads. If you are at all interested please place his name in any search engine in conjunction with any of the above-mentioned genres for links to his multimedia work and merchandise. To order CDs via VISA or PayPal please visit stephenmeadmusic.weebly.com ... more

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